‘Road House’ Screenwriter Sues Amazon Over Remake, Alleges AI Used To Create Actors’ Voices
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“I want you to be nice until it’s time to not be nice,” says Patrick Swayze’s James Dalton forbiddingly in the original Road House from 1989.
That line from the David Lee Henry co-penned screenplay may have taken on a new significance for Amazon Studios, MGM Studios and United Artists today with a new lawsuit aimed to TKO the Jake Gyllenhaal starring remake set to debut at SXSW next week. A lawsuit that accuses Amazon of a very serious digital sleight of hand during last year’s Hot Labor Summer.
“This case arises from Defendants’ blatant copyright infringement due to their willful failure to license the requisite motion picture and ancillary rights to Hill’s Screenplay underlying their derivative 2004 Remake as required by law,” says the jury trial seeking copyright complaint filed today in federal court in California.
READ THE ROAD HOUSE COPYRIGHT SUIT TO SHUT DOWN 2024 REMAKE HERE
In fact, R. Lance Hill, who goes by David Lee Henry professionally, isn’t just saying he wants an injunction against the Doug Liman directed flick. He’s saying a lot more.
Represented by studio battling attorney Marc Taboroff, Hill claims to have pulled back the curtain on what could be the new reality of the entertainment industry. With director Liman already boycotting the SXSW premiere because of the decision to put the flick on streaming on March 21 instead of in cinemas, the 2024 film now seems to have stepped on a very 21st century landmine, according to Hill and his seasoned legal team.
“Hill is further informed and believes and based thereon alleges that Defendants went so far as to take extreme measures to try to meet this November 10, 2023 deadline, at considerable additional cost, including by resorting to the use of AI (Artificial Intelligence) during the 2023 strike of the Screen Actor’s Guild (“SAG”) to replicate the voices of the 2024 Remake’s actors for purposes of ADR (Automatic Dialogue Replacement), all in knowing violation of the collective bargaining agreements of both SAG and the Director’s Guild of America (DGA) to which Defendants were signatories,” the 19-page complaint explosively claims. “These are not the actions of companies that truly believe that Hill’s Termination is ineffective.”
“The lawsuit filed by R. Lance Hill regarding Road House today is completely without merit and numerous allegations are categorically false,” an Amazon spokesperson told Deadline this afternoon. “The film does not use any AI in place of actors’ voices. We look forward to defending ourselves against these claims.”
In addition to the injunction and the AI allegations, Canadian scribe Hill wants a six-pack of damages, and a full accounting. In his potential legal kneecapping, Hill and Taboroff also want a court order that his statuary termination effective November 11, 2023 is valid, and that Amazon Studios and its MGM division had no “rights to make, produce or distribute the 2024 Remake or any other post-termination derivative work based in whole or in part on the Screenplay and/or the 1989 Film (as derived from the Screenplay).”
Amazon insists that Hill’s termination is invalid, today’s filing says, and well-positioned sources in teh company confirmed. In fact, the aim was to complete the flick by November 10 last year to get it in under the termination wire, Hill and attorney Toberoff say in the suit. “Ultimately, Defendants failed to complete the 2024 Remake until late January 2024, well after Hill’s Termination had taken effect,” the suit adds.
AG-AFTRA did not respond to Deadline’s request for comment on the AI claims by Hill and the collective bargaining agreement busting it entails, if true. If and when the Fran Drescher-led Guild does, we will update this post.
Having said that, even with Amazon denying there was any AI used, some of Hollywood’s worst fears and most fearful prophecies about the use and power of the tech in studio hands will shake the walls of Tinseltown Jericho just by the allegations alone — as attorney Taboroff well knows. Or put another way, with memories of 2023’s Hot Labor Summer still burning in many people’s minds and as IATSE, the Hollywood Teamsters and other crafts prepare to start talks with the studios next week on parts of a new contract, Amazon may find itself receiving the beatdown of all beatdowns.
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