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On Supply – Artwork Jewellery Discussion board

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January 2024, Half 1

Joyful new 12 months! There are such a lot of causes to buy artwork jewellery…

  • Have fun that hard-earned promotion
  • Honor a once-in-a-lifetime event
  • Pay tribute to a significant accomplishment
  • Commemorate the start of a brand new relationship—or the tip of 1
  • Pounce on the proper piece to spherical out a side of your assortment
  • Or spend money on a deal with for your self—simply because

Artwork Jewellery Discussion board’s worldwide gallery supporters have fun and exhibit artwork jewellery. Our month-to-month On Supply sequence permits this in depth community of worldwide galleries to showcase extraordinary items personally chosen to tempt and encourage you. Have a look. You’re sure to discover a implausible piece you merely can’t reside with out! (Please contact the gallery immediately for inquiries.)

Barbara Seidenath, Enamel Drops
Barbara Seidenath, Enamel Drops, necklace, oxidized sterling silver, enamel, picture courtesy of Gallery Loupe

Gallery: Gallery Loupe, Montclair, New Jersey (click on the gallery title to hyperlink to the web site)
Contact: Patti Bleicher (click on the gallerist’s title for e-mail)
Artist:  Barbara Seidenath
Retail worth: US$840
German-born Barbara Seidenath fabricates deceptively advanced jewels from valuable metals, quartz crystal, and enamel. Geometrically based mostly, the types typically alter because the viewer’s angle of imaginative and prescient modifications. She attended the State Faculty for Glass and Jewellery in Neugablonz, Germany, and acquired her MFA from Academie der Bildenden Künste, Munich, the place she studied with grasp jeweler Hermann Jünger. Seidenath was on the school of the Rhode Island Faculty of Design, in Windfall, for the previous 30 years. She has exhibited at a few of the most necessary museums internationally, together with Die Neue Sammlung, Munich; Museum of Artwork and Design, Helsinki; Museum Het Kruithuis, s’Hertogenbosch, the Netherlands; and Museum of Arts and Design, New York. Her work might be discovered within the collections of Boston’s Museum of Nice Arts; the Los Angeles County Museum; and the Enamel Arts Basis, in Los Angeles, CA.

Manon van Kouswijk, Series title: Iaskedthependantdoyouwanttobeabroochordoyouthinkthebroochpreferstobecomeabracelet?
Manon van Kouswijk, Sequence title: Iaskedthependantdoyouwanttobeabroochordoyouthinkthebroochpreferstobecomeabracelet?, 2023, brooch, porcelain, ceramic pencil, glaze, silver, metal, largest 31 ½ x 31 ½ x 7 ⅞ inches (800 x 800 x 200 mm), picture: Michael Couper

Gallery: Fingers Gallery, Auckland, New Zealand (click on the gallery title to hyperlink to the web site)
Contact: Lisa Higgins (click on the title for e-mail)
Artist:  Manon van Kouswijk
Retail worth: Every NZ$700
These porcelain clay shapes are from the sequence titled Iaskedthependantdoyouwanttobeabroochordoyouthinkthebroochpreferstobecomeabracelet? After being hand-shaped after which bisque fired, they’re sanded again to create a flat floor like a line drawing that’s then coloured black with a ceramic pencil, re-fired, glazed, and once more fired at excessive temperature. ”I’m not somebody who makes use of a variety of instruments and gear,” says Manon van Kouswijk. “The restrictions and guidelines, I believe, are additionally methods of figuring out what to make and if to make something in any respect—defining the working area. (As in, what can I add to all the pieces that’s already been accomplished.) Transferring in a restricted area means you need to be ingenious, consequently all the pieces is feasible …”

Fluxis by Mariangela Murgia and Alberto Catalano, Breaking
Fluxis by Mariangela Murgia and Alberto Catalano, Breaking, 2023, bracelet, 3D-printed parts in PLA with bronze filling, matrix in TPU, 7 ⅛ x 2 ⅛ x ¼ inches (180 x 55 x 5 mm), picture: artists

Gallery: Archivio Negroni, Milan, Italy (click on the gallery title to hyperlink to the web site)
Contact: Eliana Negroni (click on the gallerist’s title for e-mail)
Artist:  Fluxis Modern Varieties
Retail worth: €250, together with abroad cargo
This cutting-edge physique decoration is by Fluxis, a few designers, an engineer and an architect, who dedicate their technical expertise to analysis jewellery. The Fluxis assortment are usually not prototypes, however quite a wonderful physique of works that bridges artwork and design. Final however not least … they’re so snug to put on!

Jenny Jansson, Press Play
Jenny Jansson, Press Play, 2023, brooch, oxidized silver, acrylic, metal, 4 ⅜ x 4 ⅛ x ⅝ inches (110 x 105 x 15 mm), picture: artist

Gallery: 4 Gallery, Gothenburg, Sweden (click on the gallery title to hyperlink to the web site)
Contact: Karin Roy Andersson (click on the gallerist’s title for e-mail)
Artist:  Jenny Jansson
Retail worth: €605
Jewellery artwork is commonly characterised by time-consuming craftsmanship, sluggish creation processes, and particulars that require one to cease and examine the objects carefully. This contrasts enormously with modern phenomena comparable to TikTok and Instagram. Brief, efficient clips of humor, magnificence, nastiness, and shock stream straight into us from our screens like a spring flood of fast kicks. Jenny Jansson’s work offers with how this stream impacts us, whether or not it’s how we are able to venture an virtually excellent façade on-line, or how simple it’s to disengage with the world round us and have interaction in digital escapism.

Kiko Gianocca, Veneer Theory
Kiko Gianocca, Veneer Principle, 2016, necklace, wooden veneer, balsa wooden, silver, brass, wooden: 10 ¼ x 7 ⅞ x ⅝ inches (260 x 200 x 15 mm), picture courtesy of Viceversa

Gallery: Viceversa, Lausanne, Switzerland (click on the gallery title to hyperlink to the web site)
Contact: ilona Schwippel (click on the gallerist’s title for e-mail)
Artist: Kiko Gianocca
Retail worth: 3’100 CHF
“Goldsmith Graziano Gianocca creates objects of jewellery from wooden veneer. Every bit is exclusive, ensuing from the grain of the balsa. ‘Veneer Principle’ is a time period coined by the Dutch primatologist Frans de Waal, who believes that our civilization is simply a skinny layer hiding true human nature, which is merciless, bestial, even monstrous. The black silhouette can be harking back to the Rorschach check, utilized in psychology to guage the psychological state of a affected person.” A chunk of this physique of labor by the Swiss artist is at present within the exhibition Dialogue entre Une Pieuvre et Un Presse-Agrumes, at Mudac Lausanne. This textual content is taken from the catalog for the exhibition.

Jillian Vang, Flower Necklace
Jillian Vang, Flower Necklace, 2023, sterling silver, chrome steel, powder coat, 16 inches (406 mm) lengthy (can lengthen as much as 18 inches [457 mm] lengthy), picture: Pistachios

Gallery: Pistachios Modern Artwork Jewellery, Chicago, Illinois (click on the gallery title to hyperlink to the web site)
Contact: The Pistachios Crew (click on the title for e-mail)
Artist:  Jillian Vang
Retail worth: US$995
Rising artist Jillian Vang has meticulously powder-coated chrome steel to create every floral hyperlink on this colourful assertion necklace. Sparkly darkish purple adorns the reverse facet of the orchids, making this necklace as versatile as it’s charming. With a sterling silver chain extender, this cheerful piece might be worn at various lengths.

Mary Hackett, I Have a Crush on You
Mary Hackett, I Have a Crush on You, 2023, metal vegetable can, warmth oxidized, numerous sizes however roughly ⅝ x 2 ¾ x ⅛ inches (15 x 70 x 3 mm), picture: Jane Bowden

Gallery: Zu design, Adelaide, Australia (click on the gallery title to hyperlink to the web site)
Contact: Jane (click on the gallerist’s title for e-mail)
Artist:  Mary Hackett
Retail worth: Every AUS$300
These items are a fantastic use of discovered supplies. Mary Hackett makes use of on a regular basis metal vegetable cans, remodeling them into daring bangles. The cans are methodically crushed to create the specified type after which warmth coloured black. The title, I Have a Crush on You, completely evokes whimsy but additionally factors to the recycling and to the significance and preciousness of metals.

Pat Pruitt + Jamie Okuma, Dentalium
Pat Pruitt + Jamie Okuma, Dentalium, 2015, earrings, blackened zirconium, 5 x 2 ¼ x ½ inches (127 x 57 x 13 mm), picture: Kevin Kish

Gallery: Mahnaz Assortment, New York Metropolis (click on the gallery title to hyperlink to the web site)
Contact: Noelle Wiegand (click on the title for e-mail)
Artist: Pat Pruitt + Jamie Okuma
Retail worth: US$1,800
You would possibly acknowledge these blackened zirconium Dentalium earrings, by Jamie Okuma and Pat Pruitt, from the duvet of British Vogue (October 2023), on which Lily Gladstone wore them in help of her movie Killers of the Flower Moon. We’re lucky to hold the work of Pat Pruitt, a Laguna Pueblo-based metalsmith identified for his use of contemporary supplies metal and zirconium who maintains hyperlinks to his traditions by means of the iconography and design of the jewellery. Pruitt typically companions with different necessary Native American designers, on this case the style designer Jamie Okuma. We have now a number of kinds of those earrings out there, each double and triple and in ultra-light weight titanium. Costs vary from US$400 to $1,800.

Karin Roy Andersson, Necklace for a Handkerchief Tree II
Karin Roy Andersson, Necklace for a Handkerchief Tree II, 2023, naturally tanned reindeer pores and skin, brass, thread, 11 x 9 ½ x 2 ⅜ inches (280 x 240 x 60 mm), picture: artist

Gallery: Platina Stockholm (click on the gallery title to hyperlink to the web site)
Contact: Sofia Björkman (click on the gallerist’s title for e-mail)
Artist: Karin Roy Andersson
Retail worth: US$3,550
Karin Roy Andersson’s new physique of labor refers to nature in some ways. Timber, vegetation, and animals give her pleasure, restoration, power, and views. A handkerchief tree is uncommon, with flowers that appear like actual handkerchiefs, and the maker is fortunate to have one in her yard. The sequence with reindeer leather-based started when she collaborated with a Sami lady from north Sweden. The 2 artists have shared supplies, experiences, and sources of inspiration, data, and methods. A continuing seek for new supplies to recycle challenges and motivates the artist, as does the interaction between her and the qualities of the supplies.

Pallavi Verma, Marks of Maturity
Pallavi Verma, Marks of Maturity, 2019, earrings, gold-plated brass, 3D-printed HP, 1 ⅜ x 1 x ¼ inches (35 x 25 x 5 mm), picture: J Taran Diamond

Gallery: Baltimore Jewellery Heart, Baltimore, Maryland (click on the gallery title to hyperlink to the web site)
Contact: J Diamond (click on the title for e-mail)
Artist:  Pallavi Verma
Retail worth: US$225
Pallavi Verma, who comes from a background of conventional Indian goldsmiths, moved to Europe on the age of 19 to pursue a BA and MA diploma in jewellery design and gold and silversmithing from the Royal Academy of Nice Arts Antwerp. Her first jewellery assortment, The Marks of Maturity, was impressed by nature and shortlisted for the Masters in Creativity 2017 Worldwide Jewellery Design Contest. It celebrates maturity by means of visible reference to the concentric circles which point out the ages of bushes.

Monica Cecchi, Spread Colors
Monica Cecchi, Unfold Colours, 2023, necklace, recycled tin, 11 ¾ inches (300 mm) in diameter, picture courtesy of Galeria Reverso

Gallery: Galeria Reverso, Lisbon, Portugal (click on the gallery title to hyperlink to the web site)
Contact: Paula Crespo (click on the gallerist’s title for e-mail)
Artist:  Monica Cecchi
Retail worth: €5,500
Monica Cecchi made this necklace, within the colours of Reverso catalogs, expressly for the exhibition commemorating the gallery’s twenty fifth anniversary. She used her favourite materials, outdated tin cans. “I like their graphics as a result of they characterize a sure kind of historical past of society of the final century the place the packaging was not junk, it was reusable,” she says. She has childhood reminiscences of her grandmother, who preserved containers of cookies, “objects that can be utilized as a palette for a painter and nonetheless possess a attraction which doesn’t search a proof.”

Ruth Tamura, Untitled
Ruth Tamura, Untitled, necklace, 24 inches (610 mm) lengthy, with graduating beads roughly ½–1 inch (13–25 mm) in diameter, picture courtesy of the Museum of Craft and Design Museum Retailer

Gallery: Museum of Craft and Design Museum Retailer, San Francisco, California (click on the gallery title to hyperlink to the web site)
Contact: Ken Irish (click on the title for e-mail)
Artist:  Ruth Tamura
Retail worth: US$200
Utilizing a 16th-century Japanese firing approach, Ruth Tamura makes raku-fired ceramic beads to show into necklaces. Every bead is faraway from the kiln whereas nonetheless glowing scorching and is positioned in a flammable materials, comparable to sawdust or newspaper. The ensuing hearth deprives the floor of oxygen, creating distinctive colours and patterns. The beads are hole, which makes the necklace lighter and simple to put on.

Helen Britton, Sad Owl
Helen Britton, Unhappy Owl, 2022, brooch, sterling silver, classic glass, black diamonds, chenille, smoky quartz, 4 ½ x 3 ⅛ x ½ inches (114 x 79 x 13 mm), picture: Dirk Eisel

Gallery: Sienna Patti, Lenox, Massachusetts (click on the gallery title to hyperlink to the web site)
Contact: Sienna Patti (click on the gallerist’s title for e-mail)
Artist:  Helen Britton
Retail worth: US$8,000
Step into the charming world of Helen Britton, who’s well-known for her vivid, fantastical, and exquisitely made jewellery and objects. This brooch is from her most up-to-date physique of labor, Crazed Slobbering Monster, a gloriously mad and absurd menagerie. Britton is a multidisciplinary Australian artist based mostly in Munich, Germany. Her apply encompasses jewellery, sculpture, work, drawings, and installations knowledgeable by widespread tradition, people artwork, environmental issues, and human nervousness. She was just lately honored as Residing Treasure: Grasp of Australian Craft. The Visions of Australia program will help analysis and improvement as Britton works with the Australian Design Heart to develop an exhibition to be offered in Sydney in 2025, with a multi-state nationwide tour to observe.

© 2024 Artwork Jewellery Discussion board. All rights reserved. Content material will not be reproduced in complete or partially with out permission. For reprint permission, contact data (at) artjewelryforum (dot) org



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