9 Dance Performances Heating Things Up This February
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Brand-new works and U.S. premieres fill February’s jam-packed performance calendar. Here’s what we want to catch most.
Romeo and Juliet and Couples Therapy
STANFORD, CA What if Romeo and Juliet, instead of dying as star-crossed teens, lived to grow up and had to learn how to deal with each other? Ben Duke’s Juliet & Romeo shows the couple, now roughly 40 years old, putting on a dance theater performance for a live audience to confront their relationship troubles and the pressures of being the overgrown poster children for romantic love. Lost Dog’s critically acclaimed duet makes a rare appearance stateside at Stanford Live Feb. 1–3. live.stanford.edu. —Courtney Escoyne
Raise It Up
MEMPHIS Hope Boykin contributes a premiere to Collage Dance Collective’s RISE program. Also on tap are the ballet that lends the program its name—artistic director Kevin Thomas’ Rise—and Amy Hall Garner’s Saint Glory, which was inspired by her grandparents’ Catholic and Baptist roots. Feb. 3–4. collagedance.org. —CE
Desert Rose
ON TOUR ZooNation hits the road, beginning a North American tour of the Kate Prince–choreographed Message In A Bottle this month. Set to songs by Sting newly arranged by Alex Lacamoire, the dance theater work follows a displaced family as three separated siblings venture out on their own. The tour kicks off in Los Angeles Feb. 6–11 and wraps up in Philadelphia May 14–19, with stops in Denver, Chicago, Montreal, Toronto, Boston, Charlotte, Washington, DC, and New York City. sadlerswells.com. —CE
The Jilted Bride
MIAMI To commemorate happy vows, save a piece of wedding cake. But after a jilting, what could a wronged woman do? Freeze the betrayal scene and keep wearing the bridal gown—the wounding of others to follow. Redemption, though, awaits. That’s the premise of Havisham!, Dance NOW! Miami’s site-specific reimagining of the most Gothic character from Charles Dickens’ Great Expectations, Miss Havisham. Here she gains an expiatory backstory—two dancers portraying her at different periods, enamored then broken—seen from company co-director Hannah Baumgarten’s feminist perspective. To South Beach Chamber Ensemble’s pop and classical selections, Pip, Estella, and the brutish Drummle weave in and out as audiences traipse through North Miami Beach’s Ancient Spanish Monastery. Feb. 7– 8. dancenowmiami.org. —Guillermo Perez
Curated by Camille
NEW YORK CITY Gibney’s DoublePlus continues this month with a pair of premieres by film and theater choreographer Mayte Natalio and multidisciplinary experimental artist Maleek Washington, who were selected for the program and mentored by Camille A. Brown. Feb. 8–10. gibneydance.org. —CE
Movin’ It On
DALLAS For this year’s iteration of Dallas Black Dance Theatre’s Cultural Awareness program, company member and co-rehearsal director Hana Delong premieres Post Mortem. Joining it are His Grace, a tribute to Nelson Mandela by Christopher L. Huggins, and Matthew Rushing’s ODETTA, set to songs by songwriter and civil rights activist Odetta Holmes. Feb. 9–10. dbdt.com. —CE
New Works in Nashville
NASHVILLE For its annual Attitude program, Nashville Ballet will debut commissions from resident choreographer Mollie Sansone, Kidd Pivot dancer Jermaine Spivey, and Camille A. Brown & Dancers member Yusha-Marie Sorzano, all with music performed live by local musicians. Feb. 9–11. nashvilleballet.com. —CE
Bach as Blueprint
NEW YORK CITY In The Goldberg Variations, BWV 988, Anne Teresa De Keersmaeker uses one of Johann Sebastian Bach’s most well-known compositions as the blueprint for an evening-length solo. De Keersmaeker performs through the aria and 30 variations alongside pianist Pavel Kolesnikov for the North American premiere of the work at NYU Skirball. Feb. 22–24. nyuskirball.org. —CE
Liberating Lilith
SAN FRANCISCO In Lilith, flamenco artist Fanny Ara uses the mythological figure—Biblical Adam’s first wife who abandoned Eden, variously interpreted as a force for evil or a symbol of female independence—to consider the weight of expectations imposed by herself and others, and her journey toward liberation. The evening-length solo work, premiering at ODC Theater Feb. 23–25, sees Ara joined by musicians Gonzalo Grau and Vardan Ovsepian. odc.dance. —CE
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